KARTICK & GOTAM, BUSINESS CLASS REFUGEES (EARTHSYNC)
[DUNKELBUNT]
A NEW DAY; LAYA PROJECT REMIXED
ADDIS ACOUSTIC PROJECT
AFRO ROOTS WORLD MUSIC FESTIVAL
AMADOU & MARIAM
ANTÓNIO ZAMBUJO
APHRODESIA
BALKANBEATS
BANCO DE GAIA
BOBAN I MARKO MARKOVIC
BOY WITHOUT GOD
CARLOS GOGO GOMEZ
CHOPTEETH
CHRISTINE VAINDIRLIS
COPAL
CUCHATA
DAMJAN KRAJACIC
DANIEL CROS
DEBO & FENDIKA
DR JAYANTHI KUMARESH
EARTHRISE SOUNDSYSTEM
EGYPT NOIR
EMILY SMITH
FANFARE CIOCARLIA VS. BOBAN & MARKO MARKOVIC
FEUFOLLET
FIAF PRESENTS WORLD NOMADS MOROCCO: MUSIC
FOOTSTEPS IN AFRICA
GECKO TURNER
GEOFF BERNER
GIANMARIA TESTA
GODS ROBOTS
GUARCO
HUUN HUUR TU
INDIAN OCEAN
JANAKA SELEKTA
JANYA
JERRY LEAKE
JOAQUIN DIAZ
JOEL RUBIN
JORGE STRUNZ
JOSEF KOUMBAS
JOYFUL NOISE (I GRADE RECORDS)
JUST A BAND
KARTICK & GOTAM
KHALED
KHING ZIN & SHWE SHWE KHAING
KITKA'S CAUCASIAN CONNECTIONS PROJECT PERFORMANCES AND WORKSHOPS
LA CHERGA
LAYA PROJECT
LES TRIABOLIQUES
LISTEN FOR LIFE
LOBI TRAORÉ
LO'JO
LOKESH
MAGNIFICO
MAHALA RAI BANDA
MOHAMMED ALIDU AND THE BIZUNG FAMILY
MR. SOMETHING SOMETHING
MY NAME IS KHAN
NAWAL
OCCIDENTAL BROTHERS ON TOUR
OREKA TX
ORQUESTRA CONTEMPORÂNEA DE OLINDA
PABLO SANCHEZ
PEDRO MORAES
SALSA CELTICA
SARA BANLEIGH
SELAELO SELOTA
SHYE BEN-TZUR
SIBIRI SAMAKE
SISTER FA
SLIDE TO FREEDOM II
SONIA BREX
SWEET ELECTRA
SYSTEMA SOLAR
TAJ WEEKES
TARANA
TARUN NAYAR
TE VAKA
TELEPATH
THE NATIVE AMERICA NORTH SHOWCASE
THE SPY FROM CAIRO
TITO GONZALEZ
TOUSSAINT
VARIOUS ARTISTS
VARIOUS ARTISTS
WATCHA CLAN
WHEN HARRY TRIES TO MARRY SOUNDTRACK
WOMEXIMIZER
WOMEXIMIZER
CD Review

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Groovemine, CD Review >>

If it can be said that music truly has no boundaries, then Kartick & Gotam have just put the full stop at the end of that firm declaration. Though comparable to world-electronica contemporaries such as Celestial or The Spy From Cairo, Business Class Refugees emerges as something more raw, more sincere, and much less recognizable in terms of source material.

Though most of the collected sounds for the record have come from Central Asian origins, laptop musicians Kartick & Gotam have created a sound that is surrounded by distinct characteristics found throughout Western and West/Central Asian-North African styles. Or perhaps, Business Class Refugees is just that good at cutting through the easily available cliches. Why this amazing musical library is touted as a primarily electronic affair is somewhat of a mystery. It sounds too organic (aside from the occasional synthesizer and polished production values). Repetitive drum machines are replaced by enthusiastic percussion and thumping sub-bass is thankfully thrown out in favor of powerful and actually interesting bass guitar.

“Kartick & Gotam may have pushed into something altogether different, here; a new form that disregards traditional classification while respecting the traditional forms from which they have drawn their inspiration and sounds.”

On top of this engaging foundation lies the heart of the record, which is its use of folk instruments and vocalists from Central Asia; but it never sounds like only Central Asian music, or Western musicians trying to find that 'exotic' edge for their music. Kartick & Gotam may have pushed into something altogether different, here; a new form that disregards traditional classification while respecting the traditional forms from which they have drawn their inspiration and sounds. Nothing is out of place: it all syncs together, and it all works together.

The execution and resulting sound of this record make it stand out for its singular vision, made up of so many voices. Funk, folk, dub, salsa and jam rock are crawling all over this record, and the mixture results in pure energy, a nomadic hybrid that has created a remarkable point of light in the ever-shifting geography of world music. In scope, style and optimistic vibe, Business Class Refugees could be an anthem for 2010. 05/17/10 >> go there

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