SWEET ELECTRA, WHEN WE ABANDONED EARTH (SWEET ELECTRA)
[DUNKELBUNT]
A NEW DAY; LAYA PROJECT REMIXED
ADDIS ACOUSTIC PROJECT
AFRO ROOTS WORLD MUSIC FESTIVAL
AMADOU & MARIAM
ANTÓNIO ZAMBUJO
APHRODESIA
BALKANBEATS
BANCO DE GAIA
BOBAN I MARKO MARKOVIC
BOY WITHOUT GOD
CARLOS GOGO GOMEZ
CHOPTEETH
CHRISTINE VAINDIRLIS
COPAL
CUCHATA
DAMJAN KRAJACIC
DANIEL CROS
DEBO & FENDIKA
DR JAYANTHI KUMARESH
EARTHRISE SOUNDSYSTEM
EGYPT NOIR
EMILY SMITH
FANFARE CIOCARLIA VS. BOBAN & MARKO MARKOVIC
FEUFOLLET
FIAF PRESENTS WORLD NOMADS MOROCCO: MUSIC
FOOTSTEPS IN AFRICA
GECKO TURNER
GEOFF BERNER
GIANMARIA TESTA
GODS ROBOTS
GUARCO
HUUN HUUR TU
INDIAN OCEAN
JANAKA SELEKTA
JANYA
JERRY LEAKE
JOAQUIN DIAZ
JOEL RUBIN
JORGE STRUNZ
JOSEF KOUMBAS
JOYFUL NOISE (I GRADE RECORDS)
JUST A BAND
KARTICK & GOTAM
KHALED
KHING ZIN & SHWE SHWE KHAING
KITKA'S CAUCASIAN CONNECTIONS PROJECT PERFORMANCES AND WORKSHOPS
LA CHERGA
LAYA PROJECT
LES TRIABOLIQUES
LISTEN FOR LIFE
LOBI TRAORÉ
LO'JO
LOKESH
MAGNIFICO
MAHALA RAI BANDA
MIDNITE
MOHAMMED ALIDU AND THE BIZUNG FAMILY
MR. SOMETHING SOMETHING
MY NAME IS KHAN
NAWAL
OCCIDENTAL BROTHERS ON TOUR
OREKA TX
ORQUESTRA CONTEMPORÂNEA DE OLINDA
PABLO SANCHEZ
PEDRO MORAES
SALSA CELTICA
SARA BANLEIGH
SELAELO SELOTA
SHYE BEN-TZUR
SIBIRI SAMAKE
SISTER FA
SLIDE TO FREEDOM II
SONIA BREX
SWEET ELECTRA
SYSTEMA SOLAR
TAJ WEEKES
TARANA
TARUN NAYAR
TE VAKA
TELEPATH
THE NATIVE AMERICA NORTH SHOWCASE
THE SPY FROM CAIRO
TITO GONZALEZ
TOUSSAINT
VARIOUS ARTISTS
VARIOUS ARTISTS
WATCHA CLAN
WHEN HARRY TRIES TO MARRY SOUNDTRACK
WOMEXIMIZER
WOMEXIMIZER
CD Review

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Groovemine, CD Review >>

here seem to only remain nostalgic reminders to me now of when the term “pop,” or “Top 40” (if you want to get a little anachronistic), was used to describe a sound as opposed to a desire to be sold in Best Buy and on magazine covers. Beyond that, we live in an era where “pop” has to be synonymous with bad music. Although touted as many different things, from indie to rock to electronica, When We Abandoned the Earth stands as an exception in the current: a good pop record.

While there aren’t enough rough edges to the record to make it stand out remarkably as a progressive work, its evenness and consistency carry Sweet Electra’s new offering beyond typical expectations. It’s short, sweet, strong, and postureless; it is what it is without too much concern of fitting in, happily solitary as opposed to angsty reject.

“There’s a reckless innocence in Sweet Electra’s sound that’s charmingly attractive, even to the staunchly anti-pop curmudgeons like me, and perhaps that’s what is so strong about the album: it’s accessible without sacrificing any of its integrity.”

Most of the sounds on the record are either synths or drum machines, but the arrangements are too tight and solid to really be considered “electronic.” Nardiz Cooke’s dreamy, reverb-washed vocals tie everything together perfectly and the album is nothing if not solid. Though fairly distant from genre signposts, When We Abandoned the Earth sounds like a mixture of The Cure’s Head on the Door (and about as varied, emotionally) with The Cranberries’ lighter moments liberally applied and a faint helping of DnB.

There’s a reckless innocence in Sweet Electra’s sound that’s charmingly attractive, even to the staunchly anti-pop curmudgeons like me, and perhaps that’s what is so strong about the album: it’s accessible without sacrificing any of its integrity. While not the usual sound I tend to lean towards, and while not being a mind-blowing piece of art, this is an album that most should take notice of and give a listen. You might be surprised by what you find. 04/20/10 >> go there

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